Showing posts with label 1980s films. Show all posts
Showing posts with label 1980s films. Show all posts

Pretty in Pink: A Lesson in Unrequited Love

Sunday, February 14, 2021

Blane, Andie, and Duckie in Pretty in Pink (1986)

Written for the Unhappy Valentine's Blogathon hosted by PEPs.

So many times, unrequited love happens because one member of a long-standing friendship falls in love with the other member.

Such is the case with Pretty in Pink.

A cinematic stunner written by John Hughes, Pretty in Pink puts 1980s teen romance on display with one of the most used and abused tropes in the history of fiction, that of the love triangle.

Andie (Molly Ringwald) and Duckie (Jon Cryer) have been friends since before forever. Best friends, even. And somewhere along the way, Duckie fell in love with her.

Unfortunately for him, Andie has been in love with pretty-boy Blane (Andrew McCarthy) for just about as long as Duckie has been in love with her. 

What a mess!

And of course, Andie from the lower-income family ends up with rich boy Blane instead of best friend Duckie because that's just the way the world works.

Duckie and Andie going to prom (that is admittedly a hideous dress)

Duckie is a goofball and no mistake. But he's a sweetie. He comes from a similar low-income background to Andie and they've been like twins since forever. His yearning for her makes my heart break every time because the audience can see how dearly he loves her, and we can also see how clueless she is and that it's just never going to work.

Ms. Ringwald much later actually outed Duckie as gay, and all I can say to that is that if it's news to the author of the screenplay and the actor playing Duckie, then you're barking up the wrong tree, girl. Apparently, the character is too flamboyant? More than likely his flamboyance is due to his personality type and not his sexuality. I know my fashion and my sister's fashion are both due to our personality types so, to me, that makes the most sense. I suspect Ms. Ringwald just didn't like Jon Cryer, so she undermined the characters' relationship. Shame on her if it's true.

I guess the biggest question is should Andie and Duckie have ended up together? They have more in common, by far. Duckie has more personality in his pinkie finger than Blane has in his entire body, so there's that. And he's just one of those guys that makes you feel warm and comfortable like you've wrapped yourself in a favorite quilt. so, yes, it's a shame that Duckie and Andie were fated to never get off the ground. It's not fair, but I put the blame more on Ms. Ringwald's stubbornness than on Jon Cryer's vibrancy. If she'd tried just a little bit harder to perform with some chemistry, then maybe Duckie and Andie would have had the ending they deserved.

Ultimately, Duckie gets the short end of the stick against the will of John Hughes himself who was bullied by the studio into changing the end of his story.

Duckie and Andie

Pretty in Pink is not one of my favorites of John Hughes' films because Andie and Duckie were sidelined in favor of the rich boy. Not that I'm against falling in love with a rich boy, but it's the same issue I had in the tv program, Veronica Mars. Veronica and Duncan are boring. There are no sparks whatsoever and yet, fans endured waaaaaay too many episodes of them together. It's the same here. Andie and Blane are boring, and on top of that, he's a bit of a bully which is a whole other problem, end of story.

Duckie deserves kudos, though. Apart from John Bender in The Breakfast Club, Duckie is my favorite of Hughes' male characters. He's proof to me that the boy next door can be brilliant. I know, that's another old trope, but sometimes it's one worth using. 

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How many times can you remake Little Miss Marker?!

Sunday, October 11, 2015


Please make sure to check out the They Remade What?! Blogathon.

It's a bit of a shock when you agree to something and then find out after the fact that your library only has 1 in 4 films. Not such a good thing. So I tracked down films 1, 2, and 3 on Amazon for a decent prize, made even more decent with rewards bucks through my credit card. One might call me obsessive and say I could have backed out of this topic, but I really didn't want to, and honestly, I was quite curious about Tony Curtis' film and Shirley Temple's. I only saw Shirley's movie once a long time back, and didn't care for it, so my memories were really sketchy, and my experience with Tony Curtis had been limited to his role in Walter Matthau's Little Miss Marker. How crazy is that, that the dude would get a role in the same movie twice!?

Anyway, I tracked all 4 films down, and did get them all watched, much to my relief and no small amount of pride.

For those of you unfamiliar with the story, let's start there.

Sorrowful Jones is a bookie, meaning he takes illegal bets on racehorses. On top of that, Sorrowful is a tightwad if ever there was one. Matthau's film even has the Tony Curtis character telling him that he knows Sorrowful still has the first dime he ever made, which might actually be true. One day, a desperate man walks into his establishment, wanting to place a bet with a marker, meaning a little slip of paper meaning he's good for the money. Sorowful doesn't take markers, but for whatever reason, in some he has a soft heart, in others he has an ulterior motive involving the winning horse, Sorrowful agrees to take the guy's marker. In this case, the marker is his little girl, whose name ranges all over the place. Sorrowful now has the little girl, daddy doesn't come back with the money, and Sorrowful is stuck with her. Softening of heart, protective fatherly instincts, and all of that, kick in, along with all sorts of emotional connection to the female lead, whose name also ranges all over the place.

The only really major variance in plot is the Tony Curtis film, 40 Pounds of Trouble, from 1962. This one is about a casino manager in Las Vegas named Steve McCluskey who's slightly on the lam from California so he can avoid paying alimony to his ex-wife. A guy in the casino loses a bundle, heads back to California to get it, never comes back, and good, old Steve realizes that the guy's daughter has been left behind.

Such are the plot main points.

Now, to examine the films under individual topics: Sorrowful Jones, The Kid/Doll/Marky/whatever, thoughts on the plot, and then my final thoughts.


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Anthony Andrews Mystery Collection: Agatha Christie's Sparkling Cyanide

Wednesday, February 19, 2014


Anthony Andrews and Deborah Raffin in Sparkling Cyanide (1983)

Go to the Anthony Andrews Blog Count or the Delights of Anthony Andrews . . . or a Valentine's Month Blog Hop! pages for links to the other blog hop participant articles!

What is up with this man? Every time I turn around right now, Anthony Andrews is popping up in some mystery or other. First Columbo then Miss Marple then Rosemary and Thyme and now he's starring in a stand-alone Agatha Christie known as Sparkling Cyanide. I suspect that the screenwriters probably butchered Ms. Christie's original story, but like my fondness for By the Pricking of My Thumbs, it doesn't entirely matter.

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Discovering True Love: Percy and Marguerite

Friday, February 14, 2014

Anthony Andrews and Jane Seymour in The Scarlet Pimpernel (1982)

Go to the Anthony Andrews Blog Count or the Delights of Anthony Andrews . . . or a Valentine's Month Blog Hop! pages for links to the other blog hop participant articles!

What is romance? A lot of people picture it as hearts and flowers and that tingly sensation in the pit of the stomach. It can be that unspoken attraction between two people before they even really meet each other. A glance across a crowded room. A touch of a hand that sparks something unexpected.

For Sir Percival Blakeney in The Scarlet Pimpernel, it was a glance across a room that started his inexplicable infatuation with Marguerite St. Just. He knew nothing of her, not really even her name when he first encountered her. Only that she was the sister of a man he happened to save because that's what Percy does . . . he saves people. It is the perfect moment of love at first sight for any romantic dreamer.

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Percival Blakeney, Baronet: The Man Behind the Mask

Wednesday, February 5, 2014


Anthony Andrews as Sir Percy in The Scarlet Pimpernel (1982)

Go to the Anthony Andrews Blog Count or the Delights of Anthony Andrews . . . or a Valentine's Month Blog Hop! pages for links to the other blog hop participant articles!

Do you ever feel like you're wearing a facade? Like what the world sees is not who you really are underneath?

Whenever I watch The Scarlet Pimpernel, I always ponder the difficulties of pretending to be an idiotic fop in front of the entire world. Percy is a first-class hero, one that should have really existed, a man who risked his life going into Paris and rescuing doomed members of the aristocracy during the French Revolution. Yet, to all but a few trusted associates, he is nothing more than a buffoon who cares more about his perfectly tied cravat than human lives.

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