Book Review: For Love and Honor by Jody Hedlund (An Uncertain Choice #3)

Wednesday, March 8, 2017

I didn't think it possible. But I actually enjoyed For Love and Honor. Considering how much I detested, and yes I know it's a strong word but very true, the first two books in the series, I wasn't holding out much hope.

Lady Sabine is wealthy, considers herself plain, practical, and hides a skin blemish that could very easily get her accused of witchcraft. Sir Bennet is the younger son of a family whose eldest son suffered great personal loss and in his grief managed to gamble enough of the inheritance away as to threaten the livelihood of the castle they own. Sir Bennet must find money and fast, but refuses to sell the family's treasured artwork and artifacts. He's a bit of a history nut, and since I too live with one in the form of my sister, I get where he's coming from. Lady Sabine happens to be incredibly wealthy and is tricked into visiting Sir Bennet by her grandmother, a woman who is desperate for her grandchild to find love. While Sabine thinks she is visiting Bennet to purchase artwork, grandmother has plans that involve matrimony. As it happens, Sabine and Bennet connect through their genuine love of art, history, and learning, and together prove that unlikely couples can find true love.

I'm pleased to say that Ms. Hedlund finished strong (I suspect this is the last in the series), and I thoroughly enjoyed the majority of Sir Bennet and Lady Sabine's tale. I think it had just enough of Ivanhoe in the story to hold my interest. Plus, there was no direct descriptive mention of medieval torture methods (EWWWWW!), and I felt like the characters were more relatable to me as a person than the previous novels.

Where For Love and Honor is concerned, I can honestly recommend it. In fact, I might even consider reading it again, which says a lot since I can't even fully remember what the first two novels entailed. There was a bit more authenticity to the relationship this time, and a lot less medieval torture. I still didn't see much in the way of Christian faith being represented, which disappointed me, but you can't have everything. It's simply a good read on a wintery day when you can curl up with a blanket and a warm cat and read for several uninterrupted hours.

Note: I received this ARC free from the publishing house in exchange for an honest review, which I have given.
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The Body Under the Bridge (A Father Gilbert Mystery) by Paul McCusker (2016)

Wednesday, September 7, 2016


This is one of those times when I didn't realize how much I missed something until it was given back to me.

I love Father Gilbert. And like most fans of the Focus on the Family radio series, Dead Air is my favorite episode, in all of its spine-tingling glory. So I'm thrilled to find that The Body Under the Bridge bears a strong connection to that episode, in fact, happening before it if we're going in a chronological order. Or after it if you don't care that at this point Father Gilbert has yet to solve the case of the girl who went missing in the Soho district and was the tipping point to him leaving the force and joining the church. Either way, doesn't matter, it's a great tie-in.

The regular cast of characters is ready and in place for this first in, I hope, a series of Father Gilbert Mysteries. From Mrs. Mayhew to Mr. Urquhart, this book is like visiting old friends that I haven't seen in a very long time. And of course, a small section of my heart has always been in love with Father Gilbert, enough to not care that he's on the written page and not spinning around in my ears wearing the voice of Adrian Plass. Although if Adrian were to ever agree to narrate this book series, I wouldn't argue. Hmm, Adrian?

There are some complaints that this is a very Catholic novel, that it's very dark, that it has evil supernatural elements, etc. Yes, all of that is true. However, never is evil greater than good, and at the grand climax where I could hardly breathe or put the book down for fear of Father Gilbert's life, God was there, and He worked miracles, the same as always. The tradition of the Anglican church is insightful and intrigues me immensely, and I find it's far wiser to be aware of supernatural evil than live in a fantasy world where it doesn't exist. So long as we remember Who's ultimately in control then we're all right.

Great job, Paul McCusker, and thank you, from the bottom of my heart for resurrecting a character that I have loved since the series first burst upon the airwaves when I was a teenager.
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When a tough exterior hides a heart of gold in . . .

Monday, August 1, 2016



Written (sort of) for the Legends of Western Cinema week, hosted by A Lantern in Her Hand and Meanwhile, in Rivendell. I say sort of because I had planned to write a post on Wanted: Dead or Alive anyway, but this gave me motivation to actually buckle down and do it.

The era of the television western was something to behold. Its recognized beginning was 1949 and the official ending was 1969, so a mere 20 year span of time. Oh, some shows made it past the 1969 cut-off, like The Young Riders in the 1980s and of course, Alias Smith and Jones from the 1970s, but the official best years of the genre was always in the 1950s and the early 1960s.

Shows like Gunsmoke, Bonanza, Wagon Train, Rawhide, Have Gun Will Travel, Big Valley, and one of my favorites, The Wild Wild West all ran during that span of time. And while I'd like to focus on each and every one of them, I've chosen instead a western series that only ran for 3 years, from 1958 to 1961, and birthed the beginnings of a radiant career on the big screen.


That's right, I'm talking about Wanted: Dead or Alive starring none other than Steve McQueen.

Would you believe that I've only been a fan of this show, and McQueen, for less than a year? I guess I needed to fall in love with McQueen at the right time in my life, and that time happens to be now. But I especially, ESPECIALLY, love him as Josh Randall, the tough bounty hunter with a heart of gold from Wanted: Dead or Alive.

I think if this show were just another western series than I might not have latched onto it quite so voraciously. The creators took an original approach with the idea, allowing for the idea that not all heroes are good all the time and that bad things happen to good people. Perhaps it's not that original, but I'd never before encountered a western series that permitted, even encouraged, the characters to make mistakes. All with a brilliant, tight humor that never, ever failed to make an appearance in each episode. Sure, be serious, but make sure you give the viewer a break with snatches of hilarity too. These writers understood the need for humor in an otherwise dramatic series.


Josh Randall is terrific, but he's far from perfect. In fact, this is one of his normal looks, that half bewildered, half how-the-heck-did-I-get-myself-into-this-mess look. McQueen perfected that look. Anyway, Randall's a bounty hunter and money is a really strong motivator for what he does and why. I've read reviews that try to soften Randall, that he always gives his money away to people who need it, and it makes me wonder what show they're watching.

Yes, there were a couple of times, random times, when Josh would give money to someone, usually a victim or sometimes a relative of the criminal he hunted (the latter may have happened once), but overall, he kept the money. And his favorite pastimes when he's not chasing a bounty are lounging in saloons and gambling. So I'm pretty sure I know that the money ends up in the hands of gamblers who are slightly more skilled than he at the game.


However, I also said that Josh Randall has a heart of gold. He does. It just doesn't come in the form of giving away his bounty money. Instead, Josh is very wary of the bounties that he hunts. If someone doesn't seem on the up and up, he won't take the job. Plus, whenever possible, he attempts to take the prisoner alive because he believes in the system. It's not his job to kill people and he doesn't have a murderous heart like some bounty hunters.

But he's still spurned and scorned by many a western town because of his occupation. Oh, Josh will make a friend or two out of a sheriff, but when it comes down to your ordinary, everyday citizen, nope, it's not going to happen. The women in the show are especially devious, even cleverer than he is, and there's been many a time that he's had the wool pulled over his eyes by a fainting violet with nerves of steel and an ulterior motive. I guess you could say where women are concerned he's very naive.


This predilection most western towns had for hating bounty hunters crops up quite frequently, in fact. I'll always remember the episode where Josh brings in a bounty, but the criminal gets loose and takes the sheriff hostage. The sheriff's daughter is a town favorite and she cannot stand the idea of her father being left in the hands of a criminal, so the town decides to give the criminal Josh instead. At gunpoint. Sure, that's a nice, friendly little town they've got there. The sheriff's life is of more value to these upstanding citizens than a bounty hunter.

Josh encounters that mentality time and again throughout the series, but he's never vengeful, always resigned to their hatred of him, and he never raises a hand against innocent bystanders. He rolls with the punches most of the time, and there are plenty of punches. It wouldn't be an episode of Wanted: Dead or Alive if Josh didn't get knocked unconscious at least once. McQueen just did it so gracefully!


You know, it's entertaining to see where Steve McQueen got his start in westerns. Of course, westerns aren't all he did, but the roles of western archetype heroes seemed to suit him. As television western series go, there are scads more than would ever have time to watch, and the lesser known ones are lesser known for a reason. But Wanted: Dead or Alive takes its storytelling seriously and acknowledges that not every encounter in the west had a happy ending. In fact, some endings are downright sad, but that's real life.

You can also tell the quality by the types of guest stars who made appearances with such names as Michael Landon, Warren Oates, James Coburn, and even Martin Landau. Do I care that the bullets on Josh's belt could never, in a million years, fit that gun? Nope, I do not, because McQueen sells the character to the audience from the very 1st episode and we don't care that the bullets don't fit. Wanted: Dead or Alive is a brilliant western series with a brilliant lead actor who just captures the heart and the imagination with his glittering eyes, lean body (yes I have a crush, so sue me), and that crazy Mare's Laig of a rifle that he has strapped to his leg. ❤

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Danny Kaye's cinematic debut in Up in Arms (1944)

Friday, July 29, 2016


Up in Arms (1944)
introducing Danny Kaye
and co-starring Dinah Shore, Dana Andrews, and Constance Dowling

I had a fairly decent sum saved up from my credit card rewards, and I couldn't think of a better way to spend it than on a Danny Kaye movie collection!

Apart from Bob Hope, Danny is my favorite funny man. But unlike Bob Hope who is sometimes too ridiculous, Danny always played lovable nut jobs with the right touch of realism to counteract the humor. I can't think of a single Danny Kaye role that I haven't loved so far. But the best thing about this collection is that I hadn't seen any of the 4 movies in it, one of which happens to be Danny's cinematic debut Up in Arms from 1944.

Danny Weems (Danny Kaye) is a lovable hypochondriac who took a job as an elevator man in a suite of doctor's offices just so he could be near medical care whenever he needed it. Patients get on his elevator and get off in worse shape than they were before. But Danny's lucky; he's got his best friend and roommate Joe (Dana Andrews) who supports him in all things. Except one. Joe falls in love with Mary (Constance Dowling), a lovely nurse from the building where Danny works. There's only one problem, Danny's convinced that he and Mary are in love and so he's blind to the growing attraction between Joe and Mary and blind to the romantic inclinations that Virginia (Dinah Shore), another nurse in the building, has towards him.

Everything might have continued in the same vein of awkwardness except that this is 1944 and so Danny and Joe get drafted into the military. And the girls, being the patriotic females that they are, also join up as nurses, the funny thing being that they're also higher ranked than Joe and Danny. Watching Danny, with his cases of medication, try to survive military life is hilarious, and it's a darn good thing that Joe is there to keep some of the thugs off his back. Resplendent with hilarious comedic gags, Up in Arms is a real winner up until the last 20 minutes and a terrific debut for Danny Kaye as a classic American funny man.

Despite it's winning qualities, though, I admit that there are some aspects that may offend modern viewers. Such as the Japanese soldiers at the end of the film that are just so dense I'm shocked they didn't walk off a cliff into the ocean. Danny manages to round all of them up with little trouble. They're caricatures of the Japanese and I caught myself wincing several times.

I'm also not sure about that bizarre dream sequence, also near the end, that merely seemed an excuse to roll out the Goldwyn Girls with their sparkling smiles and gorgeous figures. It felt like that absurd sequence out of Singin' in the Rain which makes sense since the movies were made in the same decade. One of those Goldwyn Girls happened to be Virginia Mayo, the girl who played opposite Danny in 4 pictures including The Secret Life of Walter Mitty (review upcoming at some point), so that bit was fun. But I'm still glad they cast Constance Dowling as Mary since I feel she had the right mixture of loveliness and compassion.

If you don't mind the little oddities, you'll love Up in Arms. It's nowhere near as offensive as the Bing Crosby black face number in Holiday Inn, a movie I LOVE all except for that one musical number. ❤


This poor man's first encounter with Danny leaves him far sicker than he ever was before he stepped into that elevator, much to the fury of the man's doctor.


The lovely Dinah Shore as Virginia, the girl who secretly loves Danny and who was just his practice model for a marriage proposal to Mary. No wonder she's mad.


Danny's first musical number in the film, while waiting for a motion picture to start. He effectively mocked going to the movies in a healthy dose of irony.


And here you have buddy Joe (Dana Andrews) and Danny's flame Mary (Constance Dowling) making eyes after a double-date. Poor Danny, so clueless, especially since Mary never actually led him on. He can't tell when a girl's just being nice.


Danny getting the infamous news that he's been DRAFTED!


While out with the boys and Mary, Virginia sings into a record recorder while a horde of soldiers gather. It's Now I Know and one of those typical songs during the World War II era that just gets you.


In a fit of insanity, Danny smuggles Mary onto the boat by accident just as it ships out, leaving Joe to help Danny figure out how to hide her.


And one last screen cap just for fun. Chaos is about to ensue in this one, in case you couldn't tell. Oh, and Mary's hiding under the bunk.
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Movie Review: The Harvey Girls (1946) starring Judy Garland and John Hodiak

Monday, July 25, 2016



The Harvey Girls (1946)
starring Judy Garland, John Hodiak, and Angela Lansbury
co-starring Ray Bolger, Marjorie Main, Chill Wills, Kenny Baker, and Cyd Charisse

I remember LOVING The Harvey Girls the first time I saw it, so naturally I was curious to see if that emotion had staying power since I hadn't seen the movie in over a decade. As it happens, yes, I still love it, and with good reason.

I've never minded mail-order bride stories, and that's how this one begins, with young Susan Bradley (Judy Garland) headed west to marry a man who she's only corresponded with, but never met. Full of hope and light, a tad bit hungry, she encounters a group of young women also headed west, known as the Harvey Girls. They are employed by Fred Harvey to open a Harvey House restaurant that brings culture and refinement to western towns. Enthralled with the young ladies in this group, Susan immediately befriends them, especially since her stop and theirs is the same one.
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Five Magic Spindles Book Announcement + Giveaway!!

Friday, July 22, 2016

This is sort of a post in two parts.


One, my friend Rachel of Hamlette's Soliloquy is now a published author!

She was 1 of 5 winners to a contest for Sleeping Beauty retellings called Five Magic Spindles, and it's no wonder she won because she wrote a western! Who would ever think to do that other than her?! Which, naturally, I am uber excited to read because I love westerns and I cannot even fathom how a western Sleeping Beauty would be told. So, yay, and congratulations to Rachel. I'm so happy for her!

Support her by buying Five Magic Spindles on Amazon Kindle HERE or a physical paperback HERE!

You can also like her author's Facebook page HERE and don't forget to mark Five Magic Spindles as to-read on your Goodreads account HERE!


Two, she is hosting a giveaway for the book's release! Go HERE for the giveaway!

She's giving away 5 handmade bookmarks that she created for each of the 5 stories. I encourage you to head on over to her blog to participate, but also to give the novella collection a try, especially if you love fairy tales.

And because I'm most excited over her story release, here's a picture of the bookmark she made. Isn't it gorgeous!?


It's always exciting to know someone when they're experiencing something so life-altering. You might not think it life-altering, but to be published is a dream for all writers. Very few attain it via the mainstream method, but here Rachel is, with her story in black and white, having won a writer's contest. That's pretty incredible.

I can guarantee everyone a review of the Five Magic Spindles as soon as I get a chance to read it!
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Movie Review: Forever Darling (1956)

Thursday, July 21, 2016


Forever Darling (1956)
starring Lucille Ball, Desi Arnaz, and James Mason
co-starring Natalie Schafer

Forever Darling is described by many viewers as a romantic fantasy, and I guess that hits the nail pretty much on the head. It also happens to be the 60th anniversary of this film this year (OH MY GOSH) and so I couldn't go without reviewing it!

Newlyweds Susan and Lorenzo Vega are very much in love after 2 months of marriage. 2 years of marriage find them still in love, but she's not all dolled up in her negligee and makeup when he leaves for work anymore. After 5 years of marriage, Lorenzo has to see himself out the door in the morning while Susan snores away upstairs.

Yah, they're heading downhill fast. Especially after an argument at dinner when Susan's cousin Millie, and her husband Henry Opdyke belittle Lorenzo's desire to test run his mosquito killer himself in an experiment that would take him and Susan out of the country for 2 years. All the years of compressed frustration against Millie's interference in his and Susan's marriage comes spewing out in glorious style. The only problem is that Susan is furious and after the dinner is over, the two of them have a righteous row that ends in him bunking downstairs in the office and her sobbing in the bedroom.
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