Showing posts with label regency. Show all posts
Showing posts with label regency. Show all posts

Book Review: Joy to the World: A Regency Christmas Collection (2020)

Thursday, December 31, 2020

Joy to the World: A Regency Christmas Collection

Joy to the World: A Regency Christmas Collection by Carolyn Miller
My rating: 4 of 5 stars

Go to my Christmas Fiction page to read more of my reviews!

Heaven and Nature Sing by Carolyn Miller

This novella is my least favorite of the collection. I've read about Regency house parties before and in ways that made them unique from each other. This one is merely the stereotypical house party. Throw into the mix two people suffering from the "he/she loves me, loves me not" syndrome, and I just completely lost interest. I can't stand that much miscommunication between romantic leads. It was almost like the stereotype of a stereotype. I would give this one 2 stars. They should have hired Camille Elliot to contribute instead.

Far as the Curse is Found by Amanda Barratt

Brilliant. This novella is brilliant, especially for fans of either The Phantom of the Opera, The Man in the Iron Mask or Beauty and the Beast. It's radiant from start to finish, the story of two inexorably broken souls who are yearning for wholeness. I found the faith elements in this one to be very genuine, especially when the hero, Dwight, surrenders all of his anguish and fear to the Lord. This one I rate 5 stars, hands down, and I intend to read it faithfully every year.

Wonders of His Love by Erica Vetsch

We have another winner! I haven't read many books about artists so it was interesting having the hero be an artist struggling to make his place in the world. Ms. Vetsch's imagery is strong. I could see the fabric, smell the pain, see the colors the way that Hamish did. Overbearing parents are a reality of any era, so I completely bought that Cilla would be overwhelmed by her deceased husband's mother. My one niggling complaint is that, in some ways, it felt more Edwardian than Regency, but since I also love the Edwardian era, it didn't really matter in the long run. This one is 4 stars.
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A Regency Garden Party Celebration

Thursday, October 8, 2020

In July 2018, my sister and I hosted a Regency Garden Party.

Both of us love hosting parties, I love Jane Austen, and our intimate circle of friends has always indulged us on this point. Now that we have our own place (my sister and I are roommates) it makes party hosting easier, but for the Regency Garden Party, my sweet parents loaned us their backyard. It made all the difference being able to play croquet and have afternoon tea on the lawn while making Regency bonnets in the house.

It was a sublime experience and I can't believe I never shared it on my blog. 

Tea Table Spread

Our spread of goodies set up under the canopy.


Fruit Cocktails with heavy whipping cream and twills

Delicious fruit cocktails with heavy whipping cream and twills.


pastel macarons purchased from Costco

Divine macarons purchased from Costco just for the occasion. I'm not brave enough to try my hand at making macarons, although maybe someday. I've seen enough baking shows with Australian baker Adriano Zumbo to be unnerved at the prospect of making my own macarons.


Lemon Tarts and homemade lemon scones

Lemon tarts and homemade scones, although now I can't remember what type of scones. I'm thinking they were probably your basic plain scone or maybe lemon, one of those two.
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Book Review: Prelude for a Lord (Gentlemen Quartet #1) by Camille Elliot

Monday, August 17, 2015

Prelude for a Lord
The Gentlemen Quartet Series
Camille Elliot
Zondervan Publishers
2014
✯✯✯✯✯

Official Backpage Synopsis

An awkward young woman. A haunted young man. A forbidden instrument. Can the love of music bring them together . . . or will it tear them apart?

Bath, England—1810

At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician.

In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal.

But when a thief’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument . . . with the help of the dark, brooding Lord Dommick.

Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul.

Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . .
   

Go to my Historic Fiction page to find all my Christian historic fiction reviews!

My Take in 3 Parts

The Theme
This tale really is about two people with different griefs and sufferings finding one another. Alethea and Dommick discover they can help one another heal, because each of their sufferings is a private embarrassment to themselves, Dommick especially. How did you treat a man with PTSD in 1810? When the nightmares began after he returned from fighting Bonaparte, what did his family do? They didn't know what else to do with him and so he was labeled the Mad Baron because he did not know how to face the horror he saw in battle. He is a strong man with a fierce countenance and a determined loyalty to his family, but he only views himself as weak because of the nightmares that attack him at any given time. He does not live up to societal expectations and so his entire family's reputation is at risk because of that "weakness."

It's hard living up to the expectations of others, but even harder when those expectations go contrary to our own nature. Alethea loves to play the violin. It is the height of her pleasure, her purest moment of joy, the time when she feels the most liberated. Yet it isn't proper for a young woman in 1810 to play the violin because it requires so much physical movement that draws improper attention to the body.

Alethea must stand firm against the tide of judgement that threatens to wash her away. There is nothing improper in her behavior. She is absolutely proper, just a trifle odd according to societal standards.

It is an exquisite theme of healing and understanding the pain of others.

The Characters
Every single lead character has become family to me. I grieved with Dommick on the most intimate levels, feared for Alethea and Clare's (Dommick's sister) safety, laughed at Lord Ian's antics, and experienced a yearning in my secret soul to know a man like Lord Ravenhurst. Dommick's mother, Alethea's aunt, little obnoxious Margaret who is Alethea's cousin, everyone spoke to me in some way. There isn't a single lead character that I disliked, and that for me is absolutely rare.

But let's start with Alethea. She is like a sister to me because we are like one another. I have felt the same uncertainty she feels because she is just different enough to be socially unacceptable. I love who I am, the interests I have, the views I hold most dear, and the habits I maintain. But I am different from other women in their early 30s and there are times when I quail with fear because I know that I am different and wonder if I should change. The answer, of course, is no. I am who I am, with my strengths and talents, and the Lord loves me for them. Why should I change them? Alethea is the same, with her love of the violin and long energetic walks, and her determination to cling to the things she loves most. Her vision for her future alters after she meets Dommick, of course, but he does not change her. And I love that.

As for Dommick, I adored him. His relationship with Alethea took the entire book to mature. It did not suddenly leap from mild irritation to passionate adoration. It was slow and gentle, just as one would expect to happen with love. He is strong in his protection of his mother and sister, values Lord Ian and Lord Raven as his dearest friends, and finds his way back out of the darkness that threatens to engulf him in this novel. He felt real, authentic, more real than any other male lead I've encountered in this past year. I feel like I know him, the innermost part of his heart and mind, the strengths and the weaknesses. It is a marvelous feeling.

Now on to Lord Ian and Lord Raven. Aww, Lord Ian. Such a foolhardy madcap of the first order, and yet endearing all the same. He is the daredevil, the one who flirts with anything in skirts, and the one who leaps into action. He is charming and fun and crazy, and I like him, but it is already Lord Raven that has captured my heart. It is Lord Raven who supported Dommick during his hardest times. It is Lord Raven who observes and supports quietly, all while fully prepared to unleash his dry wit upon friends and family. He is calm and cool, and yet at the same, full of yearning for something. I even anticipate a conflict between Lord Ian and Lord Raven in regards to Dommick's sister Clare in a future book. Lord Raven keeps his feelings close, unwilling to share them with just anyone, but I sense his attraction to Clare. He may just be too late. He is the ideal Regency hero, somewhat like Mr. Darcy and yet not, if that makes any sense at all.

The Writing
Camille Elliot is masterful at her craft. I would not change a single thing in all of Prelude for a Lord unless it were to draw it out even longer. I wanted to never emerge from her powerful prose. Every time I picked up this book, after 2 or 3 pages, it was like I sank between the covers and was there, in Bath in 1810, knowing and loving these people. Now that is the epitome of powerful writing!

Final Thoughts

I told one of my Goodreads buddies that this book felt like coming home to an old friend I hadn't seen in years. I LOVE it that much! And if you've been following my reviews for awhile, you know that I don't say that unreservedly very often. But I do LOVE THIS BOOK. Every moment captured me in new ways, and I love how I couldn't predict the events as they unfolded. Everything was a surprise, and that enabled me to sink into this story with my entire being.

Thank you, Camille, for this book. For this series! Because I am so far over the moon at knowing you're writing an entire series! You're giving me Lord Ian's story and Lord Raven's story and I suspect even David's story even though he wasn't a character in this particular book. You are marvelous in every respect, and I now have to actually buy Prelude for a Lord because it has become such a huge part of myself!
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Book Review: The Dancing Master by Julie Klassen

Monday, January 27, 2014

The Dancing MasterThe Dancing Master by Julie Klassen
My rating: 2 of 5 stars

When Alec Valcourt, famed dancing master of London, arrives in the little berg of Beaworthy after his father's death, he never anticipated that he would be moving to the only town in England that had an unspoken rule against dancing. This is the height of the Regency era, and Alec's sole expertise is as a dancing and fencing master. His mother and sister fall under his care and Alec needs his livelihood in order to provide for them. He cannot always rely upon his uncle to care for them. Enters the entrancing Julia Midwinter, daughter to Lady Midwinter, the woman who has cast a ban on dancing upon Beaworthy. Alec not only must struggle to find work, but now he is bewitched by a woman far advanced in social status. If only the inhabitants of Beaworthy would open their doors to his tutelage, but first Alec must uncover the reasoning behind the ban, a mystery that Julia also wishes to uncover. Together, the two work together to bring dancing back to Beaworthy.

Julie Klassen made two mistakes with The Dancing Master. First, she made her hero an absolute fop who is afraid to get even the barest hint of dirt upon his person. Second, she developed a heroine who is neither gracious, compassionate, or sympathetic. The rest of the characters in her book are charming. I adore Lady Amelia, the empirical mistress Midwinter. She is misunderstood and afraid, and because I liked her so much, I found Julia's taunts against her mother to be irksome at best, and downright mean at worst. Lady Amelia is a marvelous character, and I halfway wish the book had focused on her instead of the 19-year-old infant, Julia Midwinter. Then there are the Allens: James, Walter, and Patience, who are all delightful in their own ways. Mrs. Tipple who runs the bakery in town, Mr. Barlow who is Lady Amelia's head clerk, and especially Alec's own family, his sweet mother dressed all in black and his darling sister, Aurora. But especially, I adored John Desmond. He is the type of character I love most in historic literature, slightly older than the typical hero, a little weathered and aged, but of the highest integrity. He was brilliant.

I have never tried any of Ms. Klassen's other works. And from what I hear from fellow reviewers, The Dancing Master is their least favorite of her books. So, I will not judge her writing based solely on this one novel. The 2 stars is solely based upon the hero and the heroine. There is nothing likeable about Julia, at least not for me. She is selfish, vain, and careless, and I would not associate with her in real life. Alec is also vain, thinking himself of greater importance than men who perform menial labor. He's arrogant, and he claims to be a Christian. No, I could not see it, and even Julia's "salvation experience" felt forced. Julia is bitter because of perceived wrongs, but she's really just spoiled. In a way, she and Alec deserve each other.

I have no complaints on Ms. Klassen's writing style. She is quite good, and were it not for the lead characters I would have given The Dancing Master 4 stars, and happily. I can only hope that her next book rectifies the character flaws of this one.

- I received a free copy of The Dancing Master from Bethany House Publishers via Netgalley for an honest review, which I have given.

For the rest of my reviews, see my page HERE.
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