Showing posts with label manga adaptation. Show all posts
Showing posts with label manga adaptation. Show all posts

Opposites attract in the Jdrama Honey So Sweet (2018) starring Hirano Sho, Taira Yuna, and Yokohama Ryusei

Thursday, August 12, 2021



  • Movie: Honey So Sweet
  • Country: Japan
  • Year: 2018
  • Length: 105 minutes
  • Genre: Friendship, Comedy, Romance, School, Youth
  • Starring: Sho Hirano, Yuna Taira, Ryusei Yokohama, Kaho Mizutani
  • My Rating: ★★★★ out of 5
  • You can find a list of my Japanese drama reviews on my Japanese Drama and Movie Reviews page. 

    Many thanks to RJGMan56 Subs for the fansubs! It's because of folks like this person that we're able to watch quality Japanese content with subtitles! You can either stream or download with English subs from their website, go to THIS PAGE!

    This film is marketed as Honey, but it's based on one of my favorite manga, Honey So Sweet by Amu Meguro.

    It tells the story of red-haired delinquent Taiga Onise (Sho Hirano) and self-professed scaredy-cat Nao Kogure (Yuna Taira). On the first day of high school, Onise calls Kogure out behind the school, and asks her to date him with marriage in mind. He knows it's because she lifted his spirits once in middle school when he'd been beaten up pretty badly and was huddled on a bridge. She just thinks she's being bullied by a delinquent. Turns out that delinquent can cook, knows how to smile, and wants what's best for the people around him. He notices and cares when one of his classmates, Ayumu Misaki (Ryusei Yokohama), is alone and depressed. And he reaches out to help socially awkward Miyabi Nishigaki (Nana Asakawa), a girl who never quite knows the right thing to say at the right time. Kogure even makes a friend in classmate Kaya Yashiro (Kaho Mizutani), something she never imagined happening before. She's starting to spread her wings. As Kogure starts to realize all of Onise's good points, she's understanding that her feelings for him might just go deeper than she originally thought and that the crush on her Uncle Sou that she's had for years might just be filial love after all. But will her realization of her feelings come too late? Will she be able to clearly communicate with Onise how her feelings for him have developed?

    Kogure being brave.

    I struggled a bit in writing this review. I wrote one version that railed on the differences between the movie and the manga, but now, finally decided that I had to judge the movie as much as possible on its own merit. Because what we have here is a movie that is probably 65% accurate to the Honey so Sweet manga. And while I might prefer the manga overall, the movie is also excellent. It's not an excellent adaptation, but it's an excellent story on its own, so the two things, manga and movie, really are very separate.

    So we'll go with that version of the review.

    Onise after he was all heroic on the school camping trip.

    Sho Hirano-san is outstanding as Taiga Onise in Honey So Sweet.

    He plays a gentle, lonely soul who falls in love with Kogure before he even knew her name. She did him a kindness when everyone else steered clear of him. So he made a decision to change his fighting ways (or at least, the reasons why he fought). There's a joyfulness to Hirano-san's performance that is charming. He's a likable incarnation of Taiga Onise, and I adore him in the role. Yuna Taira as Kogure is equally excellent. She's well-paired with Hirano-san, and she just sparkles with a cute vibrancy. She's actually the most like her manga character, I would say. And because I can't not mention him, yes, Ryusei Yokohama is terrific. He doesn't get a whole lot of screen time, but he gets enough, and it's fun having him there as the best friend to Onise.

    My favorite scene in the film, ahhhh, he stops her head from hitting the table when she falls asleep.

    One of the awesome things is the total lack of a genuine love triangle. That's a good change, in my opinion, from the manga that had a couple of different love triangles going on. There's also a really solid moment of understanding for Onise as to how he can live up to saying that he will protect Kogure. It's a common thing to say in Japan, but at the same time, for Kogure who has lost both her parents, saying that he'll protect her and make her happy has to have a deeper meaning. Her uncle exhibits smatterings of character traits from the manga, but my favorite scene with him is not from the manga, actually. He has come to a full acceptance of Kogure's maturity and growth, and he lets her go in this endearing moment that relives one of her growing-up moments when she was six and had just lost her parents. It's really quite precious.

    And the other half of my favorite scene.

    I'm also partial to stories where the boy can be the heroic figure. I'm old-school. I like boys being heroes in terms of saving the day and protecting the girl. Who would have thought a day would come when that would be considered weird? So I love Onise's protective side, and so does Kogure. He's valiant and kind and cute and shy and all of the adorable things, all while being completely masculine. They're an excellent example of the traditional masculine and feminine, actually. And for me, I love it.

    Misaki giving Kogure a little bit of a pep talk (because I have to have a picture of Ryusei).

    Now, on to content. Stolen kisses do bother some individuals (a question of consent), so I'll admit that Onise steals a kiss from Kogure while she's sleeping. It also happens to be one of the cutest scenes in the manga and in the movie, so . . .? Plus, he spends a ton of time on the guilt-trip train afterward, pure Onise. We do have a high school girl whose boyfriend is definitely in his early twenties whereas she's only 15. Not cool, but also, not necessarily shocking in Japan. I'm sorry to say. There are some brawls and a boy gets beat up pretty badly in a rather violent scene. A girl has clearly been hit by her boyfriend. There's some peril and jeopardy and a girl being threatened by scary guys. A boy lets himself get beat up. And of course, there's Kogure's crush on her uncle. A common trope that goes absolutely nowhere and makes me wonder why the mangaka put it in in the first place. *sighs*

    The two lovebirds, Kogure and Onise, pinching each others' cheeks to make sure the moment is really happening.

    I will say that there is an unfortunate lack of time. So a lot of the relational elements from the manga get skimmed over or skipped entirely. And things are changed, like Yoshiro's boyfriend's entire personality and Misaki's character design since he's a combo plate of Misaki and Futami (an annoying love rival for Kogure in the manga). Viewers who've read the manga should be aware of the changes, and viewers who've never read the manga, well, ya'll won't know what you're missing and that's okay. Because this story does work, it's just different. Like two different chefs making strawberry shortcakes with the same ingredients. Things will taste a little different, but it doesn't mean that one is bad, it just means that you'll probably prefer one over the other based on taste. 

    And because I mentioned him, Kogure's uncle, Sou (a truly kind and generous man who loves her like a daughter)

    I've watched the movie more than once, and I will watch it again. But if you can, read the manga. Because, love triangle craziness aside, it's ADORABLE!

    Proof from my ever-growing manga collection.

    And finally, this delightful music video by JustOneGirl (because I love including these). Keep in mind, what you're seeing is the creative license of the creator. It's not entirely accurate to the movie in terms of what's actually happening. But it's cute nonetheless.

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    Japan Drama Review: Five (2017)

    Wednesday, March 10, 2021

     


    Five

    Country: Japan

    Year: 2017

    Episodes: 8 episodes, 25 minutes each

    Genre: School, Romance, Friendship, Reverse Harem

    Starring: Nana Asakawa, Ryuji Sato, Koudai Matsuoka, Mario Kuroba, Yukito Nishii, Takuya Negishi

    My Rating: ★★

    Click to read more of my reviews for Japanese entertainment.

    When you delve into Dramaland you quickly discover that there are good dramas and bad dramas. Five is so bad that it's funny and wormed its bizarre little way into my heart just a little bit. Not enough to ever rewatch it, but still.

    My Story Synopsis for Five

    When Hina Aso joins her new high school, she is put in an all-boys A-Class (these are the smartest kids in school). The only friends she makes are the 5 most popular boys in the school, Toshi, Takui, Jun, Nao, and Kojiro. Get it! Yes, the name of the series makes sense now! *eye roll* Naturally, this makes her an enemy of all the girls in the school, as well as, for some unknown reason, the student council who seems to thrive on trying to take their A-Class students down a peg or two and disperse them into the other classes. Add to that Hina's feelings about Toshi and Takui's feelings about Hina and we have a glorious love triangle, one of many.

    My Thoughts on Five

    This drama starts out ridiculous and ends ridiculous. 



    The Acting and The Story

    It's overdone, over-dramatized, over-acted, pretty much any over you can think of. The entire series is a collection of stereotypes thrust together. You've got the playboy with the heart of gold, the intellectual, the kendo (sports) enthusiast, the best friend, and the gay boy (although the jury's still out on that one). To say nothing of Toshi's best friends from childhood who are both in love with him (a girl AND a boy). Because that happens so often. The stereotypes are remarkably weird. Yamato Nadeshiko Shichi Henge also had stereotypes but they were less, shall we say, PRONOUNCED than in Five. There was more to work with, even though it had its absurd moments too. Hopefully, I'll actually review YNSH at some point since it's one of my favorite dramas and it's sort of a crime that I haven't written about it yet.

    Five is also awash with popular Japanese tropes, like love triangles/squares/quadrangles, etc. There's the bullying girls in the school, the bullying boys in the school, the good girl falls in love with the bad boy trope (although he's a straight-A student so how is he a delinquent other than his bleached hair?). There's even the "hero and heroine get locked together in the school basement overnight" trope. His fear of the dark was somewhat original. As is her bizarre personality change when she drinks coffee. That was just weird. Caffeine doesn't do that. There's the sports festival, although it's not the traditional kind usually seen so that was different. There's even a crossdresser. And of course, the biggie, the reverse harem, meaning one girl and many boys in love with her. 

    The Screenplay

    I'm sorry, folks, but the episode screenplays are just not good.

    There's a problem with the dramas under 30 minutes in length per episode. These are usually of lesser quality than the ones in the 45 - 60 minute an episode timeframe. Five proves that point. It's a lesser drama created from a lesser manga. Thankfully, it's not one of the more content-heavy mangas turned dramas since that's a whole other issue that's been cropping up in the last 5 years or so. Overall, Five is definitely a B Grade drama, possibly even a C Grade since I almost feel like labeling it B Grade is doing a disservice to B Grade dramas. It feels like they're running out of decent material so they work with the manga leftovers.

    Objectionable Content

    Planned rape that doesn't get off the ground, highly stylized fistfights, a couple of Japanese no-touchy non-kisses that they disguised pretty well with clever camera angles, minor swearing, a girl presenting herself as male for unknown reasons considering she's actually in love with her male childhood friend who's definitely straight (that was pretty weird since there was a near kiss involving another girl), and of course, the bizarre idealized reverse harem in the first place. It's an easy trope to get wrong, and Five gets it weirdly wrong. There's also potential triggering for any bullying victims.


    All the Feels

    At least we have Hina. She's fairly sweet but has tougher skin than I expected. I like her and I kind of like her and Toshi together. She doesn't let herself get pushed around and she stands up for herself and her friends. It's not always the guys leaping to the rescue, which amazes me. But whereas My Little Monster (CLICK HERE FOR MY REVIEW) did the weird boy vibe so well with Suda Masaki as the male lead, Five just doesn't quite get there. Ryuji Sato tries, but the character is just a little too stereotypical reformed bad boy (again, not sure how a straight-A student is a bad boy) so there isn't much he could do. I give all the lead actors kudos. They all exhibited enthusiasm, but the story is just too absurd for words. I laughed a bit and by the end was somewhat invested, but I did an awful lot of eye-rolling. I'm amazed I watched the whole thing.

    If you're new to Japanese dramas, Five probably isn't the place to start. It's too absurd for newbies, and almost too absurd for me. I do sort of wish there'd been a 2nd season since that would have helped wrap things up, but oh well. That's another issue with the under-30-minutes series; there's rarely a follow-up season when one is needed.

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    Can true love overcome deadly illness in the popular Japanese movie, Today's Kira-kun from 2017?

    Friday, September 18, 2020

    In Japan, the red string of fate binds lovers together, running from pinky to pinky. For Yuiji Kira (Taisha Nakagaway), he is living his life on borrowed time. A bad heart means he has roughly a year to live and up until his current high school year, Yuuji had been living life recklessly. But now, with his time so limited, Yuiji has settled down, his heart heavy because he doesn't want to die, and keeping the secret of his illness from his friends is loneliness itself. One day, shy, introverted Ninon Okamura (Marie Iitoyo) sees Yuiji crying, hurries up to him, a boy she has started admiring because he is different now, and vows to stay by his side for a year. Despite the oddity of her declaration, Yuiji takes her up on it, tying her fate to his. For Yuuji, this is the first genuine relationship he's had with a girl, allowing himself to fall in love. And for Ninon, this is her first relationship ever, including friendships. Together they must weather the storms of new beginnings, misunderstandings, parental influence, and Yuiji's weak and dying heart.

    No country does high school stories like Japan. They're in their element when dealing with youth and love and that exhilarating time of life. I put off watching Today's Kira-kun because I wasn't sure if it had a happy ending, and I just have not been in the mood for sad stories. I'm happy to report that Today's Kira-kun ends very, very well. It's not like Koizora which is labeled a romantic tragedy for a reason.

    The actors did a solid job in their performances. I've encountered Marie Iitoyo before in a couple of different roles and have always liked her. She's a good actress, although here she does perform a bit on the overly dramatic side. I did find some of her reactions a smidgeon over the top, but that's okay. It worked for the role and for the story. Taishi Nakagawa is newer to me, so I don't have much to compare him to in terms of past performances, but I do like him as Yuiji. He has a nice, friendly face, very expressive, and he cries on cue. I found myself liking the character a great deal and hoping his fate wouldn't be to die at the end of their year together. I was less impressed with the secondary actors Shono Hayama and Yuna Taira playing Yuiji's friends. Shono was okay in his best friend role, but I'm afraid that Yuna Taira as Rei Yahagi fell flat for me. She felt so much older than a teenager as if she were a woman of the world, and that just didn't work. Plus, I usually hate the ex-girlfriend/boyfriend of lead characters anyway since they're simply plot devices with no purpose but to stir things up. Which is what she does.

    The screenplay did leave a little to be desired. The story is based on a girl's manga but they left out some critical details, like how Ninon and her parents even know Yuiji is ill. In the manga (I read the first chapter free online from the publisher), it's because Ninon and Yuiji are next-door neighbors and she's known him for years. None of that is a part of the screenplay, so that's sort of a major oops. They probably should have added 15 minutes to the run time and put it back in because as it stands, there's no logical reason for Ninon or her parents to know that Yuiji is even sick. A boy can cry a few tears in the park without a girl thinking he's on death's door. 

    3/22/2021 Update: With the new VIKI subtitles, a lot has been made much more clear regarding the screenplay. Yes, they are neighbors, although more like they live on the same street to say hello to one another every once in a while. Ninon overheard her parents discussing Yuiji's health because her parents know his parents. Which is why she knew he was sick. That really clears up a lot of my confusion and frustration with the screenplay, so YAY. Many thanks to the VIKI subtitlers (that's how you should watch it, link at the bottom of my review).

    However, it still didn't clear up the wedding scene. If that was straight from the manga, they needed to leave it out, since there was no minister and I'm pretty sure you're not married if there's no official performing some sort of wedding ceremony. I "love" how they dug up a suit for Yuiji and a wedding dress for Ninon out of thin air. That was quite the stretch.

    Overall, there are many endearing and sweet scenes, like when Ninon hosts a birthday party for Yuiji and when, on the same day, he shares with her what he was like as a delinquent in junior high. Marie and Taisha really had good, believable chemistry so their scenes together were charming. I also, personally, love that Ninon is a crafter. So many little crocheted amigurumi in her bedroom. Adorable.

    Today's Kira-kun is pretty clean on the whole. PG-rated language. Rei has a picture of Yuiji in bed that she uses to manipulate Ninon, but according to the new, likely far more correct, subtitles on VIKI, they never did actually sleep together. Unfortunately, sleeping around is not really surprising behavior for someone acting like a delinquent in junior high, at least, not in Japanese film. Ninon and Yuiji are going to sleep together, but her parents come back unexpectedly before they even have a chance to kiss, so nothing happens.

    Overall, I enjoyed Today's Kira-kun. Thanks to Yuiji's friend Yabe, Yuiji realizes that none of their time is set in stone. No one knows when they will breathe their last, and so he should not run from Ninon just because he's afraid of burdening her. Any of them could die tomorrow, so the important thing is to live today. It's a solid Japanese movie with a happy ending which made me very, very glad. Despite the plotholes, this movie is filled with lots of warm fuzzies and very pretty cinematography.

    Where can I watch Today's Kira-kun?

    3/22/2021 Update: You can now watch Today's Kira-Kun officially on VIKI if you have a Standard VIKI Pass ($4.99 a month).

    The subtitles are outstanding and this is a perfectly legal streaming service so you are supporting the actors and filmmakers.

    Today's Kira-kun (Closest Love to Heaven)

    Country: Japan
    Year: 2017
    Genre: School, Romance, Friendship, Illness
    Starring: Marie Iitoyo, Taishi Nakagawa, Shono Hayama, Yuna Taira
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    Movie Review: My Little Monster (2018)

    Monday, July 27, 2020


    My Little Monster (Japanese live-action film)


    based on the manga of the same name

    Year: 2018

    Starring: Suda Masaki, Tsuchiya Tao, Yamada Yuki, Furukawa Yuuki

    Official MDL (My Drama List) Synopsis


    Mizutani Shizuku (Tsuchiya Tao) is a self-absorbed overachiever,​ concerned only with maintaining the highest grades in school.​ Yoshida Haru (Suda Masaki) is an impulsive short tempered brute,​ who scares everyone with his explosive bursts of violence.​

    Haru gets suspended on the first day of school when he encounters some bullies harassing a student and dispatches the bullies with great bloody violence.​ Mizutani is tasked with delivering school materials to Haru who interprets this as an act of friendship and latches on to Mizutani,​ much to her dismay.​ And so begins a strange and potentially combustible relationship!

    My Thoughts on My Little Monster


    The synopsis of this movie makes me laugh. Part of it is true, but I think Haru is a lot less violent than they make him sound. So keep that in mind. I have read a couple volumes of the manga since I first saw the movie, and I confess that I like the movie a lot better than the manga. I have a couple of reasons for this, but I'll get into that later on.

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