After spending 2 glorious hours in the theater today
watching The Greatest Showman, one
thing struck home. Nobody should care whether the movie is a true
representation of P.T. Barnum’s real life. That’s not what The Greatest Showman is all about; rather, the movie is the
embodiment of believing in impossible dreams and of loving yourself despite what the world says.
My sister cosplays and depending on what she’s wearing and
where she is, it’s hilarious watching people try desperately to not look at
her. To pretend they don’t see her and that she isn’t dressed in full Victorian
garb, bustle, corset, and all. Why? Because she’s different and people do . . .
not . . . like . . . different.
P.T. Barnum was different.
And The Greatest
Showman represents him as the glorious type of different that ignites the
imaginations of the people around him. This movie tells you that it’s okay to
be different because you still have the right to happiness, to family, to love,
despite anything that anyone may say to the contrary.
So I pretty much spit on the Rotten Tomatoes critics that
are complaining about everything from The
Greatest Showman not being true to history (Really? You mean Barnum didn’t
sing and dance modern show tunes through his life story?), claims about it
being formulaic (Hmm, I’m pretty sure Sing
got some pretty serious praise and The
Greatest Showman is waaaaay superior), and containing some of the worst songs
in show tune history (Ummm, you're going to try and teach me about music, now? I know what I like).
Honestly, it really just feels like modern critics have the
exact same approach to the exciting and fantastical as the humbug critic in The Greatest Showman. Awww, did the poor
wittle babies take offense at such an accurate representation of themselves? To steal a quote from George Gilbert, a favorite radio character of mine from Father Gilbert, modern film critics are "narrow-minded and prejudicial."
You put Hugh Jackman and Zac Efron in starring leads in a
larger-than-life musical about chasing dreams and you’ve got a winner. I haven’t fallen this hard
for a film since Fantastic Beasts and
Where to Find Them hit theaters, and it’s disappointing to find the same
critics who praised the lackluster LaLa
Land being so boorish about this fresh,
invigorating and just plain fun musical. Just when I really needed a toe-tapping good time, The Greatest Showman popped up to surprise and impress me, so much so that I wished I'd had the time to buy another ticket, turn around, and see it twice in the same day!
Hugh, it’s good to see you back doing musicals again and not
bulked up to the nines playing Wolverine. You’re so much better than just an
X-man and The Greatest Showman proves
it.
And Zac, WOW. I have so totally missed you, dude! Not that
you haven’t been in movies because you have, but, come on now, do obnoxious
frat boy roles really match you? You’re better than those characters, and I
LOVED you as Philip Carlisle. I miss hearing you sing and that number you and
Hugh perform together is AMAZING. My advice for what it’s worth and that’s very
little is to shelve any future frat boy films and stick to the classier roles.
They suit you. Just own that you're a classy gent and run with it.
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